The editorial work of Schenker Documents Online is conducted by an international team of contributing scholars, all of whom give their services free of charge, under the leadership of Ian Bent and William Drabkin. These are:

Ian Bent Emeritus Professor of Music, Columbia University, New York – Correspondence with Universal Edition, J. G. Cotta'sche Buchhandlung Nachfolger, C. F. Peters, Waldheim-Eberle, Josef Weinberger; Alphons & Clarice Rothschild, Paul Wittgenstein, Moriz, Valerie & Fanny Violin (with Drabkin); members of Schenker's family; Schenker's diaries 1912-14; profiles

David Bretherton Post-doctoral Fellow, University of Southampton – Correspondence with Otto Erich Deutsch; translation issues; XML encoding

Geoffrey Chew Emeritus Professor of Music, Royal Holloway College University of London – Translation issues

Marko Deisinger Research Fellow, Universität für Musik und darstellende Kunst, Vienna, and University of Southampton – Schenker's diaries 1918-1930; profiles

William Drabkin Professor of Music, University of Southampton, UK – Correspondence with Felix-Eberhard & Gustav von Cube, Otto Erich & Hanna Deutsch, John & Aline Petrie Dunn, Moriz, Valerie & Fanny Violin (with Bent), Hans & Hertha Weisse; profiles of persons

Heribert Esser General Music Director, Hanau – Correspondence with Anthony van Hoboken and Oswald Jonas (co-transcriber with John Rothgeb)

Martin Eybl Professor of Music, Universität für Musik und darstellende Kunst, Vienna – Correspondence with Viennese officials, institutions, and journalists, including the Gesellschaft der Musikfreunde, Vereinigung Wiener Musikreferenten in Wien, Hermann Bahr, Elsa Bienenfeld, Wilhelm Bopp, Max Graf, Julius Korngold,Carl Lafite, Hans Liebstöckl, Ludwig Karpath, Ernst Mach, Richard Robert, Ferdinand Scherber; profiles

Sigrun Heinzelmann Assistant Professor, Oberlin College – Schenker's lessonbooks and lesson notes

Christoph Hust Wissenschaftlicher Mitarbeiter, Johannes Gutenberg-Universität, Musikwissenschaftliches Institut, Mainz – Correspondence with performers, including Gerhard & Josef Albersheim, Josef Helmesberger, Moriz Rosenthal, Artur Schnabel; also Otto Erich & Hanna Deutsch, Viktor Zuckerkandl; profiles

Timothy L. Jackson Professor of Music Theory, College of Music, University of North Texas; Center for Schenkerian Studies – Correspondence with Reinhard Oppel, aspects of Hans Weisse

Iby Jolande-Varga multimedia and animation film artist, Universität für Musik und darstellende Kunst, Vienna – XML encoding of Schenker's diaries 1918-30

Kevin Karnes Assistant Professor of Music, Emory University, Atlanta, Georgia – Correspondence with Guido Adler, Franz Steiner, Julius Roentgen; profiles of neswpapers and journals; profiles

John Koslovsky Docent in Muziektheorie, Amsterdam Conservatory of Music – Correspondence with Walter Dahms, aspects of Felix Salzer

Robert Kosovsky Head of Music, New York Public Library; Curator, Ernst Oster Collection – Schenker's lessonbooks and lesson notes (transcription, annotation)

Nicholas Marston Reader in Music Theory and Analysis, University of Cambridge – Correspondence with librarians and archivists concerning sources

William Pastille Tutor, St. John's College, Anapolis – Correspondence with Maximilian Harden, Eugen & Hermine d'Albert

John Rothgeb Emeritus Professor of Music, SUNY, Binghamton – Correspondence with Oswald & Frieda Jonas, Joseph Marx, Anthony & Annamarie van Hoboken

Lee Rothfarb Professor of Music, University of California, Santa Barbara – Correspondence with August Halm, Karl Grunsky

Michaela Searfoorce Ohio State University – Correspondence with Angelika & Manolo Elias, Marianne Kahn, Maria Komorn, Evelina Pairamall

Hedi Siegel Professor of Music, Mannes College of Music, New York – Correspondence with Victor Hammer, Felix Salzer; profiles

Robert Wason Professor of Music Theory, Eastman School of Music, University of Rochester – Correspondence with Arthur Waldeck, Frederick Auslander; profiles

Arnold Whittall Emeritus Professor of Music Theory and Analysis, King's College, London – Correspondence between Arnold Schoenberg, Moriz Violin, and Schenker